Monday, October 23, 2023

Festival Nacional del Libro (3), Washington D.C. Escritores de origen latino: Meg Medina, Por Javier J. Jaspe

En Pocas Palabras.  Javier J. Jaspe

 Washington D.C.

“The 2023 National Book Festival was held in the nation’s capital at the Walter E. Washington Convention Center on Saturday, August 12, from 9 a.m. to 8 p.m. Several programs were livestreamed, and video of all talks can be viewed online shortly after the Festival’s conclusion. Mark your calendars now for next year’s National Book Festival, scheduled for Aug. 24, 2024.”

EN: https://www.loc.gov/events/2023-national-book-festival/about-this-event/

Una lista completa de los autores que participaron en el Festival  Nacional del Libro de 2023 (FNL2023) puede verse EN: https://www.loc.gov/events/2023-national-book-festival/authors/

La serie que continuamos hoy se refiere a escritores de origen latino que participaron en el FNL2023. Su objeto no consiste en realizar un análisis de su obra, sino el de publicar material encontrado en Internet relacionado con la misma y sus autores, para lo cual nos servirá de guía el propio Website del  FNL2023 en inglés: www.loc.gov/bookfest. Los textos de Internet se transcribirán en itálicas, en español o inglés, según sea el caso, con indicación de su fuente. Esta tercera entrega se refiere a la autora Meg Medina. Veamos:

Meg Medina     

Meg Medina, the 2023­­­­-2024 National Ambassador for Young People’s Literature, is a Cuban American author who writes for readers of all ages. Her middle grade novel “Merci Suárez Changes Gears” received a Newbery Medal and was a New York Times Book Review Notable Children’s Book of the Year, among many other distinctions. Her young adult novel “Burn Baby Burn” earned numerous distinctions, including being longlisted for the National Book Award and shortlisted for the Kirkus Prize. Medina received a Pura Belpré Author Award and a Cybils Award for her young adult novel “Yaqui Delgado Wants to Kick Your Ass External,” and its graphic novel adaptation, illustrated by Mel Valentine Vargas, will be featured at the 2023 National Book Festival.

EN: https://www.loc.gov/events/2023-national-book-festival/authors/item/n2008000508/meg-medina/

Conferencia/Entrevista en el FNL 2023

2023 National Book Festival: Drawing Yaqui Delgado with Meg Medina & Mel Valentine Vargas

Video EN: https://www.loc.gov/events/2023-national-book-festival/schedule/item/webcast-10985/

Websites de la autora

https://megmedina.com/

Biografías

Conoce a Meg:

“Meg Medina es la Embajadora Nacional de Literatura Juvenil de 2023-2024.

La Embajadora Nacional de Literatura Juvenil es nombrada por la Bibliotecaria del Congreso bajo la iniciativa de la Biblioteca del Congreso en asociación con la organización Every Child a Reader.

Durante su mandato de dos años, Meg ayudará a crear conciencia sobre la importancia de la literatura infantil para fomentar el alfabetismo permanente, así como aportar a la educación y el desarrollo y bienestar de las vidas de los jóvenes. Meg es la primera Embajadora Nacional de herencia latina en la afamada historia del programa.

Comunicado de prensa del anuncio

Lee sobre la historia del programa de Embajadores:

Lee sobre “¡Cuéntame! Hablemos de libros”, la plataforma de Meg como Embajadora Nacional.

Para consultas de prensa o de fuentes mediáticas sobre el programa de Embajadores: Contactar a Leah Knobel, Library of Congress, lknobel@loc.gov y Phoebe Kosman, Candlewick Press, Phoebe.Kosman@candlewick.com.”

EN: https://megmedina.com/naypl-esp/

“BIOGRAFÍA BREVE:

Meg Medina es actualmente la Embajadora Nacional de Literatura Juvenil. Es la autora de Merci Suárez Changes Gears, libro ganador de la Medalla John Newbery y finalista en 2018 para el Premio Kirkus, que fue seguido por dos aclamados libros sobre la familia Suárez: Merci Suárez Can’t Dance Merci Suárez Plays It Cool. Sus novelas para adolescentes incluyen Yaqui Delgado Wants to Kick Your Ass, libro ganador en 2014 del Premio de Autor Pura Belpré, el cual será publicado en 2023 como novela gráfica, ilustrado por Mel Valentine Vargas; Burn Baby Burn, preseleccionada para el Premio Nacional del Libro; y The Girl Who Could Silence the Wind. También es autora de los libros infantiles Evelyn Del Rey Is Moving Away, ilustratado por Sonia Sánchez, seleccionado para el Jumpstart Read for the Record en 2020; Mango, Abuela, and Me, ilustrado por Angela Dominguez, ganador del Premio de Autor Pura Belpré; y Tía Isa Wants a Car, ilustrado por Claudio Muñoz, libro ganador del Premio Ezra Jack Keats para Nuevos Escritores; y de la biografía para lectores juveniles She Persisted: Sonia Sotomayor. Meg Medina es hija de inmigrantes cubanos, creció Queens, Nueva York, y hoy vive en Richmond, Virginia.

BIOGRAFÍA:

Meg Medina es actualmente la Embajadora Nacional de Literatura Juvenil. Es una autora cubanoamericana que escribe para lectores de todas las edades. Su novela para grados intermedios Merci Suárez Changes Gears recibió la Medalla Newbery y, entre muchas otras distinciones, fue seleccionada por el New York Times Book Review como Notable Libro para Niños del Año. Su continuación, Merci Suárez Can’t Dance, obtuvo reseñas de cinco estrellas, mientras que Merci Suárez Plays It Cool fue nombrado “el mejor libro de 2022” por las revistas PARENTS, Kirkus, y The Horn Book.

Su libro infantil más reciente, Evelyn del Rey is Moving Away, fue galardonado con el Premio Charlotte Zolotow 2021–2022 y fue seleccionado para el Jumpstart Read for the Record 2020, llegando a 2.24 millones de lectores. En 2016 recibió el Premio de Autor Pura Belpré por su libro infantil Mango, Abuela, and Me. Entre numerosas distinciones, su novela para adolescentes Burn Baby Burn fue preseleccionada en 2016 para el Premio Nacional del Libro, y fue candidata para el Premio Kirkus. Medina también fue galardonada con el Premio de Autor Pura Belpré en 2014 y con el Premio Cybils en 2013 por su novela para adolescentes Yaqui Delgado Wants to Kick Your Ass, la cual será publicada en 2023 como novela gráfica, ilustrada por Mel Valentine Vargas. En 2012, Meg Medina también recibió el Premio Ezra Jack Keats para Nuevos Escritores por su libro infantil Tía Isa Wants a Car.

La obra de Meg Medina analiza, desde la perspectiva de la gente joven, cómo las culturas se entrelazan, y ofrece a los lectores historias que reflejan lo particular de la cultura latina, así como cualidades que son universales. Sus protagonistas favoritas son chicas de personalidad fuerte. En marzo de 2014, Meg fue reconocida por CNN entre las 10 Mujeres Visionarias de América. Y en noviembre de 2014, fue nombrada entre los Diez Autores de Historias Latinas Más Destacados.

Cuando no está escribiendo, Meg Medina trabaja en proyectos comunitarios en beneficio de las niñas, la juventud latina y la alfabetización. Vive con su familia en Richmond, Virginia.”

EN: https://megmedina.com/carpeta-de-prensa/

Reportajes/Entrevistas

Recursos sobre Meg Medina en la Biblioteca del Congreso

Meg Medina es una autora cubanoamericana que escribe para lectores de todas las edades. Su novela juvenil Merci Suárez se pone las pilas recibió la Medalla Newbery, fue seleccionada como Libro Infantil Notable por el New York Times Book Review, y recibió muchos otras distinciones. La segunda parte, Merci Suárez no sabe bailar, recibió reseñas estelares, y Merci Suárez actúa genial fue desccrita por Kirkus como “un fabuloso final de una trilogía memorable.”

Su libro infantil más reciente, Evelyn Del Rey se muda, el cual ha alcanzado a aldededor de 2.3 millones de lectores, fue galardonado con el Premio Charlotte Zolotow de 2021-2022 y seleccionado para el Registro de Lecturas Jumpstart en 2020. Medina recibió el Premio de Autor Pura Belpré en el 2016 por su libro ilustrado Mango, Abuela y yo. Entre sus otras numerosas distinciones, su novela adolescente Burn Baby Burn fue preseleccionada para el Premio Nacional del Libro y el Premio Kirkus en el 2016. Fue galardonada también con el Premio de Autor Pura Belpré en 2014 y el Premio Cybils en 2013 por su novela adolescente Yaqui Delgado quiere darte una paliza, la cual será publicada en 2023 como una novela gráfica ilustrada por Mel Valentine Vargas. Adicionalmente, Meg Medina recibió el Premio Ezra Jack Keats para Nuevos Escritores por su libro infantil Tía Isa quiere un carro.

La obra de Meg Medina se enfoca, desde la perspectiva de la gente joven, en las formas en que la cultura se entrelaza con la identidad. Son obras narrativas que reflejan lo particular pero también lo universal de una cultura y sus protagonistas tienden a ser niñas y mujeres adolescentes de personalidad fuerte y gran determinación.

Cuando no está escribiendo, Meg Medina trabaja en proyectos comunitarios enfocados en las niñas, la juventud latina y la alfabetización. Vive con su familia en Richmond, Virginia.

EN: https://guides.loc.gov/meg-medina-esp/sobre

Meg Medina, escritora cubanoestadounidense, es la primera latina nombrada embajadora Nacional de Literatura Juvenil en EE.UU.

EN: https://cnnespanol.cnn.com/2023/01/18/meg-medina-escritora-cubanoestadounidense-embajadora-orix/

Por Elizabeth Plaza

22:56 ET(02:56 GMT) 18 Enero, 2023

“(CNN Español) –– La Biblioteca del Congreso de Estados Unidos nombró a la escritora cubanoestadounidense Meg Medina como la octava embajadora Nacional de Literatura Juvenil. Esta es la primera vez que una latina ocupa este cargo, cuyo objetivo es promover la importancia de la literatura y lectura entre los niños y adolescentes.

"Lo que más deseo es que la lectura y el amor por contar historias forme parte del día a día de más y más jóvenes, y que estas actividades transciendan el entorno escolar y las bibliotecas. Sueño con que el mundo de los libros nos una, expanda nuestros horizontes y nos ayude a entendernos mejor”, dijo Medina tras su nombramiento, de acuerdo a un comunicado que difundió la Biblioteca del Congreso…..

Medina es hija de inmigrantes cubanos y creció en Nueva York, en el seno de una familia bilingüe. Su obra refleja su crianza y muchos de los protagonistas de sus libros son latinos. Algunos de ellos son “Merci Suárez se pone las pilas”, “Tía Isa quiere un carro”, “Evelyn del Rey se muda”, y “Ella persistió: Sonia Sotomayor”, este último basado en la historia de la primera jueza latina de la Corte Suprema de Estados Unidos.

Ahora, durante su período como embajadora Nacional de Literatura Juvenil, Medina usará la plataforma “¡Cuéntame!: Hablemos de libros” para reunir a lectores a través de sus experiencias. Según la Biblioteca del Congreso, "¡Cuéntame!" conecta familias, aulas escolares, bibliotecas y comunidades por medio del mundo de la lectura y de aquellas obras que reflejan las experiencias y realidades de los lectores.

La ceremonia de posesión de Medina se realizará el 24 de enero en la Biblioteca del Congreso.”

 

Meg Medina

Telling the Story of You

Interview by Rebecca Sutton

EN: EN: https://www.arts.gov/stories/magazine/2014/2/story-our-culture-artists-place-community/meg-medina

Meg Medina is on a mission. The author of four books, including Milagros: Girl from Away and Yaqui Delgado Wants to Kick Your Ass, she casts strong Latina girls as her protagonists, an unusual occurrence in children’s literature. According to the Cooperative Children’s Book Center, less than eight percent of children’s books published in 2013 were about people of color, a statistic Medina is adamant about changing—she even helped mastermind the Twitter campaign #WeNeedDiverseBooks, which went viral last spring. She hopes her own realistic portrayals of Latino culture will rebuke negative stereotypes, while generating pride amongst the Latino community. Medina, currently in her fourth season of “Girls of Summer,” a blog series that highlights books that feature (and hopefully foster) strong girls, recently spoke with us about how she hopes her work affects the female community, the Latino community, and the community of children as a whole.

Putting a Different Lens on Community

When I think of community, I think of it on multiple levels. There’s a family community—the child and his family—the school community, the city that you live in. But it’s all interconnected. And in my case, I think of how stories of universal experiences connect us all.

I think story is a human impulse. Just think of cave paintings. Capturing what our experience has been is a basic way that we move through the world. What’s amazing to me is the similarities of experiences, especially when we’re talking about writing for children: the universal experiences of growing up, of wanting friends, of wanting connection with other people, of struggling to understand yourself, of pulling away from your family, of falling in love, feeling isolated and broken. All of those significant experiences of growing up are universal, whether you’re an African-American child, an Asian- American child, a Latino child, an Anglo child. We’re all struggling with those same desires and needs.

What is beautiful to me is what happens when we put a slightly different lens over the experience. Then we’re able to really appreciate the nuances of how we’re different, but still acknowledging that we have experiences that bind us…. It’s important that we know each other’s story, and become comfortable with each other’s lens, and with each other, period…..

The Importance of Reading Your Story

I spent a lot of time thinking that my being Hispanic was something I had to get past in order to be successful. Sure, I was Cuban. I spoke Spanish. But it mattered more that I could shine academically. My roots were something that I kept completely separate from my idea of what success was going to be. And that’s sad. Because what I had found in life is that my culture and my roots were so entwined with my success.

I want to bring to kids this notion that who they are, the language of their families, whoever their families were in their home country, whether humble people, big-shot people—everybody’s story has value. I don’t want anybody to feel like they have to be embarrassed by their cultural heritage or it’s something that they have to get past in order to make it in this country.

They’re exactly enough. Who they are is exactly enough. And I think our jobs, as children’s book authors, as teachers, as librarians, is to help kids understand that early. That they have everything they need.

A lot of Latino kids are English dominant, so I want them to experience magical realism, which is such a part of Latino fiction, in their dominant language, and to be able to celebrate it as something that has its roots in our literature. I want them to feel that comfort and that pride as they’re sitting in their classroom, and 23 other kids are reading a book where the characters say words that they hear in their house and are eating things that they eat in their house.

It’s a subtle thing, but it’s also affirming that you exist, that your family has value and that the story of you, the story of your family, matters enough and is deserving of being captured in a story. When we have an absence of that, the implied message is that you don’t matter as much as the stories that are being captured….

Creating a Community of Strong Girls

I love to write for girls. I’m unabashedly feminist. I believe that we need to celebrate girls and empower girls and encourage them at every turn to be in charge of themselves, in charge of their bodies, their choices, their careers, their future. There’s so much to conspire against that. Just open any magazine. It’s crushing. So I write to help girls feel strong. I celebrate girls as they are.

I try to give them stories that give them a chance to reflect on themselves and things happening in their own life. I try to give them women in these books—not only the girls who are their age, but also the women who are adults—[who are] women as they are: resourceful, powerful, loving, strong.

Growing up into a healthy strong kid who’s resilient is really hard. I laugh when I hear people say to young people, “This is the best time of your life. You should be so happy. It only gets worse from here.” I’m like, “Do you remember? Do you have any idea the effort that goes into facing all of those problems for the first time? And getting your skills up to face them?” It’s tough. So I picture myself in a dark cave with a candle and young people behind me, and I’m holding up the light, [saying,] “You’re going to make it through this tunnel. You’re going to get through.”

The “So What” of It All

For me, the basic thing is the “so what” of it all. You can’t move through being an artist or being a writer just entertaining yourself—“I wrote this story for me, and it only matters to me.”

I have three children. You work like a dog when you’re a parent to raise them, and you put your best self in there. You’re working on creating somebody who’s going to be about light and good and positive things. And then you send them out into the world with all your hope. Creating any art form is like that too, but writing books for children especially. It’s your story only while you’re working on it on your computer. Then it becomes a book, and you send it out and it becomes everybody’s story. You send it out with hope that it’s going to do good and it’s going to be about light. So you want it to have meaning. You have to ask yourself, “How will this matter? How is this going to help something out there?”

Book Review: Merci Suárez Can’t Dance by Meg Medina

EN: EN: https://latinosinkidlit.com/2022/05/09/book-review-merci-suarez-cant-dance-by-meg-medina/

Reviewed by Cris Rhodes

BOOK DESCRIPTION: Seventh grade is going to be a real trial for Merci Suárez. For science she’s got no-nonsense Mr. Ellis, who expects her to be as smart as her brother, Roli. She’s been assigned to co-manage the tiny school store with Wilson Bellevue, a boy she barely knows, but whom she might actually like. And she’s tangling again with classmate Edna Santos, who is bossier and more obnoxious than ever now that she is in charge of the annual Heart Ball.

One thing is for sure, though: Merci Suárez can’t dance—not at the Heart Ball or anywhere else. Dancing makes her almost as queasy as love does, especially now that Tía Inés, her merengue-teaching aunt, has a new man in her life. Unfortunately, Merci can’t seem to avoid love or dance for very long. She used to talk about everything with her grandfather, Lolo, but with his Alzheimer’s getting worse each day, whom can she trust to help her make sense of all the new things happening in her life? The Suárez family is back in a touching, funny story about growing up and discovering love’s many forms, including how we learn to love and believe in ourselves.

MY TWO CENTS: In this follow-up to her Newbery Award-winning Merci Suárez Changes Gears, Meg Medina once more dives back into Merci’s world, this time exploring her confusion and awkwardness of a first crush. Whereas the first book follows Merci as she learns that her beloved grandfather, Lolo, has Alzheimer’s, this book has a far lighter primary plot. Certainly Lolo’s diagnosis still impacts Merci, especially because Lolo’s capabilities have dwindled and Merci now must fulfill a caretaking role for him; yet, the book doesn’t dwell so much on Lolo as it does Merci herself. This shift is important. In the first book, Merci feels betrayal that the adults in her life withheld information from her. In Merci Suárez Can’t Dance, Merci is suddenly the one who must decide how much to tell others or what to protect them from. 

Now in the 7th grade, Merci is on the cusp of teenagerhood and all of the mixed-up feelings that go with it. While Merci’s group of friends are all seemingly growing up around her, Merci still enjoys the things of her childhood—riding her bike, playing soccer with her dad and his workmates, and visiting with her grandparents. Even when she is given the responsibility of running her school’s mini-store alongside her new friend Wilson, she clings to her stable childhood pleasures. Nevertheless, Merci has to grow up. Throughout the book, Merci is confronted with a number of events that require her to adopt a more mature mentality and leave her childhood thinking behind. While I won’t go into detail about these events, lest I give any spoilers, the new realities that Merci must navigate feel real and relatable, if maybe a little jumbled because of the amount of subplots. Having read the book over the course of several days, I did find myself losing track sometimes, but earlier subplots that seem unrelated at the time do factor into the ultimate climax of the book.

Fans of Merci Suárez Changes Gears will enjoy the continuation of her story in Merci Suárez Can’t DanceMerci remains the compelling, loveable, and flawed character from the first book and the realism with which Medina brings Merci to life is astounding. Like all children, Merci makes mistakes and has to account for them. But she also triumphs, and we celebrate her victories.

Like Medina’s other books, Merci Suárez Can’t Dance is an engaging read. I will say, I did enjoy the first book better—possibly because Merci was still new to me and her struggle to accept her grandfather’s diagnosis was a more heart-tugging story. It wasn’t that I didn’t enjoy this book—I certainly did! —it just did not match the emotional appeal of the first in the series. However, I don’t necessarily think that’s something that should keep readers away from continuing on Merci’s journey. This book felt like a transition, a shift for Merci and for us as readers—especially so, given that this is the second book in a trilogy. Merci Suárez Plays It Cool, the final book in the series, is slated for release in September 2022. 

All in all, Merci’s growth, as explored in Merci Suárez Can’t Danceis impactful and, for readers equally going through the transition from childhood to adolescence (or any change in life), will resonate. Meg Medina has a particular talent for rendering real life emotions and experiences in fiction and I will always pick up any new book of hers. Merci’s voice is one that is much needed for young readers, especially those experiencing tumultuous times.

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ABOUT THE AUTHOR (from her website): Meg Medina is a Newbery award-winning and New York Times best-selling author who writes picture books, as well as middle grade and young adult fiction. Her works have been called “heartbreaking,” “lyrical” and “must haves for every collection.” Her titles include:

  • She Persisted: Sonia Sotomayor, with Chelsea Clinton;
  • Merci Suárez Can’t Dance, one of the 50 most anticipated novels of 2021, according to Kirkus;
  • Evelyn del Rey is Moving Away / Evelyn del Rey se muda, 2020 Jumpstart’s Read for the Record Selection, winner of the Margaret Wise Brown Prize in Children’s Literature, and 2021 Crystal Kite Award;
  • Merci Suárez Changes Gears,  2019 John Newbery Medal winner, and 2019 Charlotte Huck Honor Book;
  • Burn Baby Burn, long-listed for the 2016 National Book Award,  short-listed for the Kirkus Prize, and a finalist for the Los Angeles Times Book Prize;
  • Yaqui Delgado Wants to Kick Your Ass, winner of the 2014 Pura Belpré Author Award;
  • The Girl Who Could Silence the Wind, a 2012 Bank Street College Best Children’s Book of the Year;
  • Mango, Abuela, and Me, a 2016 Pura Belpré Author Honor Book; and
  • Tía Isa Wants a Car, winner of the 2012 Ezra Jack Keats New Writers Award.

When she’s not writing, Meg serves on the Advisory Committee for We Need Diverse Books, the grassroots organization working to produce and promote literature that reflects and honors the lives of all young people. She also works on community projects that support girls, Latinx youth, and/or literacy. She is a board member of the Library of Congress Literacy Awards, a faculty member of Hamline University’s Masters of Fine Arts in Children’s Literature. Meg lives with her family in Richmond, Virginia.

Children’s Books

New Novels From Three of Today’s Most Beloved Children’s Authors

By Melissa Walker

EN: https://www.nytimes.com/2018/09/21/books/review/kate-dicamillo-meg-medina-jacqueline-woodson.html

(Fragments)

“Middle-grade readers live in a wonderful-awful, in-between time that holds both the last moments when toys seem magical and the first breathless discoveries of what deodorant and mascara wands are meant to do. By now, they know about the world’s harshness, but they may not be quite ready to face it full on. These three powerful authors push the edge of comfort in their latest works — presenting the loveliness that the best childhood moments hold alongside the realities of inequity, profound loss and deep neglect. Readers (and their parents) will be all the better for it…..

In Meg Medina’s MERCI SUÁREZ CHANGES GEARS (Candlewick, 368 pp., $16.99; ages 9 to 12), Merci’s harbor is an extended family living in Las Casitas, which is what she calls their three pink, flattop houses that sit side by side. Medina quickly establishes their warm, congenial home life as the center of Merci’s universe…..

But sixth grade throws the best of us off balance, and when Merci — who attends a private school on scholarship — is assigned to be the buddy of a cute new boy in town, jealousy swirls in her friend group. Meanwhile, there are troubles at home as the family’s adored grandfather, Lolo, starts to forget things and act erratically.

The 11-year-old’s worldview shifts uncomfortably — her friends have fancy bikes and swimming pools and can “do dumb stuff” at school, but she always has to prove herself. As her Papi tells her after she gets caught breaking a rule, “The value you add to the school has to come from you, because it’s not coming from our wallets.”

It’s clear that Merci loves her family. But she also chafes at family responsibilities, especially the expectation that she’ll watch her little cousins more now that Lolo is less reliable. “Find someone else … I’m not your servant!” she shouts at her aunt after a stressful day. Caught between the world of family and peers, the comfort of Las Casitas and the enticing new call of independence, Merci Suárez is a delightful heroine who, despite real challenges, never wavers in her strong sense of self or her fierce love for la familia. Readers will appreciate watching her navigate how to hold on to what matters when it feels like everything is changing….”

También puede verse:

https://guides.loc.gov/meg-medina-esp/recursos-adicionales

https://www.colorincolorado.org/es/videos/conozca-al-autor/meg-medina

https://www.youtube.com/watch?v=EwjUqnEMhpY&list=PLoU659hwTdDae37z5gSBgFJyQxWluMSSV

 https://megmedina.com/books-by-meg/

https://www.npr.org/2023/01/18/1149719559/library-of-congress-names-a-new-ambassador-for-young-peoples-literature#:~:text=Scott%20Elmquist-,Meg%20Medina%20was%20named%20a%20national,by%20the%20Library%20of%20Congress.&text=The%20Library%20of%20Congress%20has%20named%20Cuban%20American%20writer%20Meg,ambassador%20in%20the%20program's%20history.

https://www.lva.virginia.gov/public/litawards/hpol.htm#:~:text=The%20Library%20of%20Virginia%20has,of%20Letters%20degree%20in%202023.

Articles

SCBWI Interview with Meg Medina, National Ambassador of Young People’s Literature

10 Inspiring Latina Writers Who Paved the Way in Publishing (HipLatina)

Time for Kids:  A New Chapter

The Library of Congress Blog:  Meet Meg Medina, the Library’s New Ambassador for Young People’s Literature

NPR’s Morning Edition:  Meg Medina is the first Latinx ambassador for young people’s literature

Richmond Times Dispatch:  Henrico author Meg Medina named national youth ambassador by Library of Congresss

Parents:  Here’s What Book Banning Means for Latinx Communities

HipLatina:  How Censorship & Book Banning Affect the Latinx Community in 2022

Grow Your Family’s Reader’s Life:  An Intergenerational Author Study Featuring Meg Medina

The Horn Book:  2019 Newbery Medal Acceptance in The Horn Book

With RJ Palacio in The New York Times, discussing diversity in children’s lit.

Podcasts

Let Kids Read Freely:  Meg Medina with Maria Hinojosa on Latino USA

The Reading Culture:  Cultivating story: Meg Medina on the importance of storytelling in life, writing, and the fight against book bans

Latina to Latina:  How Meg Medina Summoned the Courage to Write

Latino Book Review Presents Meg Medina

The Children’s Book Podcast with Matthew C. Winner

LiteratiCast with Jennifer Laughran

 Videos

https://www.youtube.com/watch?v=qprF0mnX-4g

Best Strategies to Inspire Young Readers:  an interview with Meg Medina and USAID Senior

Deputy Assistant Administrator Sheryl Stumbras, September 7, 2023

“La lectura es algo que nos une”: una latina se convierte en embajadora para la literatura juvenil en el Congreso, Univision, January 30, 2023

La primera cubanaestadounidense en ocupar este cargo en la biblioteca del Congreso, Telemundo, January 18, 2023

Conversation with Angela Dominguez and Joe Cepeda to celebrate 2022 Children’s Authors and Illustrators Week

2019 Newbery Medal Speech

El precario sistema de pensiones latinoamericano obliga a trabajar después de los 65 años

 EN:  https://www.lapatilla.com/2024/04/27/el-precario-sistema-de-pensiones-latinoamericano-obliga-a-trabajar-despues-de-los-65-anos/